Science Fiction Writing Workshop August 2013 in Baltimore Area

One of the Writers of the Desert Rose Cafe brought a Maryland-based writing workshop to my attention. It is an annual event called Shore Leave, a fan run Science Fiction convention. Scenes from my favorite comedy The Big Bang Theory with the male cast dressed as favorite Star Trek characters filled my head. But the writer was quick to tell me she attends the convention for its writing workshops.

The convention runs over a long weekend in August in the Baltimore area. It is readily accessible by car to those living anywhere from Richmond, VA to New York City to Pittsburgh, PA.

I will provide a link at the bottom of this post to the Shore Leave web site. I don’t find the site very helpful in providing information for writers about the writing workshop schedule. I have pasted what information is there below:

Shore Leave 35 will include:

Writing Workshops: Learn how to improve your writing from some of your favorite writers.   Past panels have included writing about the non-fictional part of Trek; How to express point  of view in your story; The trials and tribulations of being a writer and more.

Joining us this summer for Shore Leave 35 will be Media Guests William Shatner, Amanda Tapping and Julie Caitlin Brown.  Note: William Shatner will be appearing on Saturday, August 3, only. More Information is available.

Also joining us are Author Guests:Rigel Ailur, Russ Colchamiro, Greg Cox, Ann C. Crispin, Mary Louise Davie, Keith R.A. DeCandido, Michael Jan Friedman, Dave Galanter, Allyn Gibson, Phil Giunta, Robert Greenberger, Glenn Hauman, Jim Johnson, William Leisner, David Mack, James Mascia, Kelly Meding, Susan Olesen, Scott Pearson, Garfield Reeves-Stevens, Judith Reeves-Stevens, Aaron Rosenberg, Lawrence M. Schoen, Peter Wacks, David Mark Weber, Howard Weinstein, andSteven H. Wilson.

Science Guests:Paul Abell, Lucy Albert, David Batchelor, Wayne Bird, Kirk Borne, Caroline Cox, Jerry Feldman, Larry Hubble, Yoji Kondo, Eric Schulman, Stephanie J. Slater, Timothy F. Slater, andRay Villard.

And Special GuestsTye Bourdony andT.A. Chafin.

Shore Leave web site: http://www.shore-leave.com/

Registration form: http://www.shore-leave.com/registration/

Hotel info for the convention: http://www.shore-leave.com/hotel/

Uploading the Book to Amazon.com

I got a phone call today from Acorn Book Service that the Anthology has been uploaded to Amazon.com. I don’t think the book is immediately available for sale. Rather, the internal processes inside Amazon.com get set into motion by uploading the manuscript.

Similarly, the book will be uploaded to Barnes & Noble by next week.

Smashwords, I’m told, is much more user friendly, so I will work with one of the other members to upload the manuscript to Smashwords ourselves. That will be a learning experience. Smashwords is a distributor to other e-book retail outlets.

Amazon.com uses a .mobi file format. Barnes & Noble and Smashwords use .epub files. That is one of the services Acorn Book Services provides to the Writers of the Desert Rose Cafe, taking our .doc file and converting it to e-publishing-ready formats.

Next comes the marketing learning curve.

I will share with you how things progress. I’ll share what I learn and the mistakes I make.  We’ll learn together about this thing called self-publishing via the e-book.

Get Money for Your Creative Project

Let me introduce you to Kickstarter, the venture capital site for creative projects. Yes, Virginia, there is a Santa Claus.  www.kickstarter.com

Kickstarter says it is “a funding platform for creative projects. Everything from films, games, and music to art, design, and technology. Kickstarter is full of ambitious, innovative, and imaginative projects that are brought to life through the direct support of others.

Since our launch on April 28, 2009, over $350 million has been pledged by more than 2.5 million people, funding more than 30,000 creative projects.”

How does Kickstarter work?

Thousands of creative projects are funding on Kickstarter at any given moment. Each project is independently created and crafted by the person behind it. The filmmakers, musicians, artists, and designers you see on Kickstarter have complete control and responsibility over their projects. They spend weeks building their project pages, shooting their videos, and brainstorming what rewards to offer backers. When they’re ready, creators launch their project and share it with their community.

Every project creator sets their project’s funding goal and deadline. If people like the project, they can pledge money to make it happen. If the project succeeds in reaching its funding goal, all backers’ credit cards are charged when time expires. If the project falls short, no one is charged. Funding on Kickstarter is all-or-nothing.

To date, an incredible 44% of projects have reached their funding goals.

Can Kickstarter be used to fund anything?

We allow creative projects in the worlds of Art, Comics, Dance, Design, Fashion, Film, Food, Games, Music, Photography, Publishing, Technology, and Theater.

Everything on Kickstarter must be a project. A project has a clear goal, like making an album, a book, or a work of art. A project will eventually be completed, and something will be produced by it.

Do backers get ownership or equity in the projects they fund?

No. Project creators keep 100% ownership of their work. Kickstarter cannot be used to offer financial returns or equity, or to solicit loans.

Some projects that are funded on Kickstarter may go on to make money, but backers are supporting projects to help them come to life, not financially profit.

What are the fees?

If a project is successfully funded, Kickstarter applies a 5% fee to the funds collected.

In the US, pledges will be processed by Amazon Payments, while in the UK, pledges will be processed securely through a third-party payments processor. These payment processing fees work out to roughly 3-5%. View the US and UK fee breakdowns.

Who is Kickstarter?

We’re 46 people based in a tenement building in New York City’s Lower East Side. We spend our time making the site better, answering questions from backers and creators, and finding great new projects to share with you. Every day is an adventure — we get to experience projects as they happen! Say hello or come work with us!

Quality Control for Authors @ Amazon.com

When an author forays into selling e-books, he or she finds Amazon.com offers a unique service to its stable of booksellers.

Amazon encourages readers to report errors, misspellings and the like. Then the company compiles the complaints and e-mails the information to the author. The writer has the option to let the e-published material stand as is or fix the manuscript, uploading the revision and removing the source of complaint.

Voila! Errors disappear for future readers.

What Happens after the Editor Says Yes?

Carrie Rubin does an excellent job answering that question in her post “Contracts, Edits and Errata.” It goes to show how green I am when I confess I didn’t know what an errata is. Carrie explains it and a lot more.

She received an acceptance letter a year ago. It has taken months to go through the editing, re-write and fix process. Now her novel is ready for publication. Next month is the release.

Please visit the link below to learn what happens after the editor says, “Yes, we’d like to publish your manuscript.” Some would say that is when the real work begins.

And, oh yes, congratulations Carrie!

http://carrierubin.com/2012/08/27/contracts-edits-and-errata-or-the-least-creative-title-ever/#comment-8381

The Importance of Beginning Well

The Importance of Beginning Well.

The reader is king.

So, I went looking for what a reader believes makes  “a good book.” Reader Subhakar Das shares a thought that should be obvious: he says begin well when telling a story.

Subhakar Das says “There’s nothing quite like a book that grips from the very first line. As a reader I attach a great deal of importance to the first sentence. Every time I open a new book to the first page it is with trepidation for I feel that if the first sentence is not quite right, the whole book will be a disappointment. It is a sentiment shared. But is the first sentence that important?”

As an author, I am guilty of ignoring the power of the opening line. Sure, I understand that the first sentence needs to hook my reader. What I fail to appreciate is the damage done by a poor opening. Agents and acquiring editors will quit reading if the opening sentence doesn’t impress them. Booker Prize winner Ben Okri says that if the first sentence of a book does not grab him, he is liable to close the book then and there.

Ouch!

Das explains, “The magic of the first sentence of a book can also inspire the writer in you. This is Gabriel Garcia Marquez’s impression of Franz Kafka’s The Metamorphosis for before books were meant to help him sleep. He writes: ‘But this time the effect was just the opposite: I never again slept with my former serenity.’ The first sentence he was talking about was: ‘As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed into a gigantic insect.’ Such was the effect of Kafka’s writing, Marquez did not go to the university for the next few days for fear the spell would be broken.”

My advice? Re-examine the opening in the manuscript you are about to hand off to an editor. Be sure it is a zinger!