Tag Archives: non-fiction

More on Drones for Syfy Buffs


I clipped this from a forum on the subject. Since this portion from the chat gave a link, I am posting the remarks and the reference here. Those writing science fiction, futuristic or fantasy stories may find this information helpful.

Swarms of cyborg insect drones are the future of military surveillance

The kinds of drones making the headlines daily are the heavily armed CIA and U.S. Army vehicles which routinely strike targets in Pakistan – killing terrorists and innocents alike.
But the real high-tech story of surveillance drones is going on at a much smaller level, as tiny remote controlled vehicles based on insects are already likely being deployed.
Over recent years a range of miniature drones, or micro air vehicles (MAVs), based on the same physics used by flying insects, have been presented to the public.
The fear kicked off in 2007 when reports of bizarre flying objects hovering above anti-war protests sparked accusations that the U.S. government was accused of secretly developing robotic insect spies.
http://www.dailymail.co.uk/sciencetech/a…lance.html
After writing this post, I stumbled onto a humorous video about microbots, including a photograph of a mosquito-sized drone that can extract a DNA sample from a human covertly. As TheTrutherGirls says, “Get a fly swatter and screens!” Enjoy the video!
And just to feed your paranoia, here’s a video from a NSA whistleblower. He confirms the government’s program of domestic intelligence collection. Just think of all this stuff as research for your novel about nanobots and their nefarious controllers. :-p

The Psychology of the Sociopath as Minion


I’m obsessed with bad guys because I love writing about them. In order to write about them, I learn about them. I study where and how they live.

In science fiction or historical stories, there is ALWAYS the character that stands out for his willingness to oppress others on behalf of the boss. In exchange for doing the dirty work, the story’s minion receives a benefit, usually a modicum of power or an elevation of status or income.

The current TV character who comes to mind is Captain Tom Neville, played by actor Giancarlo Esposito. Neville is a former insurance adjuster turned militia leader under bloody General Monroe in TV’s saga Revolution. Neville will turn on his peers, getting them tortured and demoted, to advance himself. Yet he is fearful without the structure and protection offered him by Monroe.

As an author, it is important to be accurate when writing about the personality. Although the variety of personalities is numerous, the personality type is fairly fixed.

So what does psychology say about these overzealous minions? What are common traits among sociopath sycophants?

In the normal work-a-day world, he will likely screw-up regularly or use chaos to camouflage his childish character. He is seen as sleazy in the community or office. He will set aside morality or abandon principle if it is to his advantage to do so. He is drawn to a culture of corruption where questionable acts done on behalf of superiors advance his status.

Once he is given authority, he will demand respect from those under him, even if he doesn’t deserve it. He savors weakness in others. He will use title or force to exact submission from the weak under his jurisdiction. Show defiance to his authority and reap the consequences of his ire. He will abuse those weaker than himself.

There is no room for discussion or disagreement. It is his way or off with your head. In the face of reason, this minion will attack. Yet to preserve himself, he will avoid conflict with someone who may best him.

This character loves rules, regulations, and rigid structure. He seeks total control of his environment. He will twist the legal system to fit his own logic. He loves to force compliance on others.

Behind the facade of power, the sociopath minion is a follower, unable to operate without an elaborate system or leader to guide him. He is cowardly at his core: a follower, not a leader. The more bureaucracy clutters the landscape, offering him regulations to twist or hide behind, the better. He likes the smokescreen of obfuscation.

The minion draws his power from the ruling entity. Therefore, he supports the powers that be wholeheartedly. He disregards the rights or unique value of the individual. Control is easier to maintain in the absence of individualism. Therefore, he prefers the group mentality and will promote that sort of thinking. He cannot imagine functioning without an establishment to direct him. His self-identity comes from being part of it, not independent of it.

The sociopath as minion may wear a state uniform and wield power by turning in citizens for minor infractions of the rules. A tyrant or an oligarchy relies on him to grab and maintain control. He relishes being useful to and part of the machine. He is obsessed with continuing the power that gives him meaning. No bad act by those ruling will shake his devotion. He is a willing tool in the hand of his master.

Portions of trait description adapted from Brandon Smith of Alt-Market 

Writing Non-fiction with the Punch of Fiction


For today’s post, I borrowed a piece of writing that I thought did a good job of adding a bit of punch to a news item. The original article in its entirety can be seen at http://www.zerohedge.com/contributed/2012-07-12/preparing-inevitable. I’ve excerpted a section for educational purposes.

Hope you find this helpful when you write something like a magazine article. If you can add a bit of spice to your writing style, it may make your submission stand out to an editor. Be a good chef: know when to draw the line on the seasonings. Too much can spoil the dish.

Nuff said:

One thing we haven’t had to contend with much in the past is the impact of a computer glitch on our lives. My favorite example occurred right here in San Diego on July 4th.

The long awaited, highly anticipated, state-of-the-art fireworks tribute to American independence is an event so spectacular that people drove hundreds of miles just for the “oohing” and the “aahing”, and the gut punching of dozens of thunderous explosions spread out over forty-five minutes.

Billed as the Big Bay Boom it is a fireworks lover’s heaven. The show itself was produced by the venerable century old firm, Garden City Fireworks, all the way from Millington, New Jersey.

No amateurs flickin’ bics in a trench somewhere. Four separate locations, including three barges brought into the bay itself, would serve as launch pads.

Because of the uniqueness of the site, this would be one of company’s biggest shows of the year and they do hundreds of them from coast to coast.

As darkness set in, people positioned themselves for what was to come.

And, then it began.

Oh, and it was magnificent! No one could recall ever seeing anything bigger or hearing anything louder. One observer described it as looking “as though a flaming planet were roaring right at us.”

It was an apt description. It had that Steppenwolf song “Born to Be Wild” lyric quality to it, “Fire all of our guns at once, explode into space.”

And then…. it was over. Done, fine, the end.

They had indeed fired all of their guns at once and the show was done in 15 seconds, pretty much guaranteeing some kind of Guinness record I would imagine.

Officials referred to the event as “premature ignition.”

But hey, it happens to all of us at one time or another, right?

The Big Bay Boom was just that, one big boom. Only a computer could do that.

What To Do with Vocabulary


Recently, one of the local writers group members read one of my sudden fiction pieces.  He highlighted the word “obscure” and suggested I use the word “hide” in its place. He had reasons for his suggested word change.

For one thing, he felt the word was too elevated for the genre. For another, he felt many readers wouldn’t know the word. It wasn’t a conversational word, he said.

I argued to keep the word. I felt the meaning of the word obscure more aptly described what was happening in the story. To “hide” something implies intent. One can “obscure” something without intending to hide it. In the story, a face is obscured, not purposefully hidden.

His comments about usage raised points to consider.

Is there language that is suitable or unsuitable for a specific genre? Sudden fiction may be considered “low brow” compared to the novel, or even the 3,000 word short story.  Obviously, that opinion is subject to debate.

How does one balance vocabulary usage with one’s readership?

Some argue that today’s society needs the stimulation of mental challenge. Others say that today’s society doesn’t have time to stop and look up words every few minutes when reading.

As a writer, I thanked my friend for his input. His remarks were helpful.

I haven’t settled on an answer to the questions his remarks generated. I’d love to hear what you think about using big words in short, short stories.

Coming In Like a Lion


Today –the last day of June– I was driving my car, my radio set to a rock station that was playing selections from four decades. The songs conjured stories. I thought, why not do a month of musically influenced short stories? Each story will be inspired by one song. The inspiration can come from the lyrics, the emotion or simply the sound of the music.

So, for July, that is what I am going to do. Intermixed with my usual advice for writers and other similar stuff, I am going to write a short story, flash fiction or haiku tied to music.

My first song selection is “Black” by Pearl Jam.  It is the melody that was playing when the idea hit me. I’ve included a YouTube link below, which includes the lyrics. This anthem expresses the bitterness associated with lost love. A listener doesn’t need to know what the lyrics are to know the vocalist is expressing emotional pain.

If you don’t know the song. listen to it the first time with your eyes closed. Just feel it. Then watch the video so you can read the lyrics.

http://www.youtube.com/watch?v=QV2iYFl5eSk&feature=related

The story is coming soon to a blog near you.

1,000 Words Per Day Habit


Ray Bradbury, the author of classic Fahrenheit 451, died recently.  Stephen Miller, Wall Street Journal reporter writes of Bradbury:

“His view of books and libraries as cornerstones of civilization and communities inspired Fahrenheit 451, which Mr. Bradbury wrote on a rental typewriter in the basement of a University of California, Los Angeles library.”

Mr. Bradbury was unable to afford college, so he haunted libraries. He educated himself through reading. Over time, he developed skepticism toward technologies that could be turned against humanity. The dystopian consequence of nuclear war was explored in some works. Yet, he lauded what he viewed as positive technologies: he extolled space exploration.

By the time of his death at age 91, Bradbury’s body of work included science fiction, autobiography, film scripts, stories for television, short stories, magazine articles for the likes of Life magazine, children’s books, poetry and text for coffee table books.

According to his obituary on CBS News Sunday Morning, Bradbury developed the habit of writing one thousand words per day. It was this habit that enabled Bradbury’s productivity. He continued writing into the 2000’s.

Mr. Bradbury ordered his own tombstone. He summarized his identity simply:

“Author of Fahrenheit 451.”

 

 

 

For Every Writer, There Is a Reader


The writers group to which I belong is moving ahead on its anthology. What started out as a collection of fictional stories, each under 300 words, has morphed into something else. Now there will be microfiction, flash fiction, short non-fiction, short short stories and poetry.

One of the members expressed concern that some works may not be as polished or sophisticated as others. Certainly, in any anthology, there is a diversity of styles, if not themes.

It was decided at last week’s meeting that the works would be grouped by author. That seems sensible. It allows an audience to sample a couple of pieces by an author and move on, if that author doesn’t suit the reader’s taste. If the reader likes what an author writes, then  there will be several choice morsels to sample.

For every writer, there is a reader.

Some writers have broad appeal, usually because they are skilled, talented, clever.  They also have a knack to figure out and write what will be popular. Nevertheless, I contend that every writer can find an audience, even if it is an audience of one.

Some of the group members have a spiritual slant. Some are noir, fathoming the depths of human nature. Some are innocent or inspirational or comic or macabre. The collection will run the gamut.

Therefore, I choose not to worry about what is included in the anthology. What another author writes is not a reflection on me. My work stands or falls on its own merit.

Some readers will like my stuff. Others will hate it. To each his own.

The next squabble will likely be over the order of the authors and their work. That may be the fodder for a future post.

*****

Every child is an artist.  The problem is how to remain an artist once we grow up.  ~Pablo Picasso