EVEN GREAT AUTHORS GET DECKED

Dave, an acquaintance, shared an article with me that made me giggle. It seems even authors that time and academia have deemed “classic” or “noteworthy” get creamed by critics from time to time. In the universe of literature, no one is exempt from a scathing rebuke.

Feeling glum because someone dissed your work? Read this. You’ll feel better. You may still have to re-write, but you will feel as if you are in good company.

The 30 Harshest Author-on-Author Insults In History

By Emily Temple on Jan 1, 2012 1:00pm

[Editor’s note: While your Flavorwire editors take a much-needed holiday break, we’re revisiting some of our most popular features of the year. This post was originally published June 19, 2011.] Sigh. Authors just don’t insult each other like they used to. Sure, Martin Amis raised some eyebrows when he claimed he would need brain damage to write children’s books, and recent Pulitzer Prize winner Jennifer Egan made waves when she disparaged the work that someone had plagiarized, but those kinds of accidental, lukewarm zingers are nothing when compared to the sick burns of yore. It stands to reason, of course, that writers would be able to come up with some of the best insults around, given their natural affinity for a certain turn of phrase and all. And it also makes sense that the people they would choose to unleash their verbal battle-axes upon would be each other, since watching someone doing the same thing you’re doing — only badly — is one of the most frustrating feelings we know. So we forgive our dear authors for their spite. Plus, their insults are just so fun to read. Click through for our countdown of the thirty harshest author-on-author burns in history, and let us know if we’ve missed any of your favorites in the comments!

For the complete article, go here:

http://flavorwire.com/188138/the-30-harshest-author-on-author-insults-in-history/view-all

Hair Flying Over Hagerstown

This weekend is my time to read the critiques of the Beta readers.  If you hear weeping, wailing and gnashing of teeth or if you see hair flying over the rooftops of Hagerstown, you will know that I have become a mad woman as I try to figure out how to get the last re-write done in time for publication this month. A September release may not be possible. Yet, I will give it my best effort.

Good thing I got that head shot taken before I pulled all my hair out. Not to mention the dark circles under my eyes from pulling all-nighters trying to meet deadlines. I don’t bounce back like I used to. It may take me a month to look human again.

I better make sure someone is doing a buddy check on me to make sure I haven’t passed out from dehydration or sleep deprivation. Face flat on the floor, tongue hanging out,  random wisps of mad-scientist hair still clinging to my now-bald pate–isn’t that a scary sight?? Yeah, I’m glad I got that photo taken!

Marketing My Novel, Step 2

I hadn’t anticipated writing about this topic under marketing my novel. On reflection, I think it is where it belongs. It is about making mistakes and learning from them BEFORE the book goes on sale. I said I would share my mistakes, so you can avoid making the same ones. Here goes.

Today I had a discussion with one of my editors. He is a perfectionist, which is why I like him reading my stuff. He kicks my ass when I make mistakes. He makes me a better writer.

The conversation today went something like this:

“I have a couple of thoughts about the manuscript. First, I want to tell you it is difficult to keep track of the story when you send me only a chapter at a time. ”

“The re-write process is taking longer than I anticipated. I feel less guilty if I give you something.”

“Oh, you are re-writing before it gets to me?”

Oh-oh, I think. This sounds ominous.

“Yes, that’s why you aren’t finding a lot of mistakes. You aren’t returning pages to me with many marks. I’ve already edited the chapter during the re-write.”

“Like I said, it’s a long time between chapters, so I am having trouble retaining the story line between edits. I read so much in between your chapters. I want to mention a suggestion to you. I have to think about it in my own writing.  It’s how a writer introduces backstory. The chapter I just read has a lot of backstory. I can’t remember what happened in your earlier chapters.”

More discussion follows on the skill of integrating backstory into the actual plot.

“Yes, I understand what you are saying. I just read an article about Sue Grafton. The article described her mastery of mixing backstory directly into the storytelling. I will make a point to read one of her novels solely to study that technique, so I can improve my skill. I know of a different writer who warns authors who use “data dump” to tell the backstory that they are boring their readers. So I understand what you are telling me; I need to be careful about loads of background weighing down the pace of the story.”

“In my novel, chapter one starts the story. Chapter two goes to backstory. In chapter three, I go right back to the story line.”

“Are you telling me I’ve used too much backstory?”

“I am saying ‘maybe’ because I can’t remember the detail of your earlier chapters. I know this chapter had a lot of backstory.”

There are two lessons here for you and your work.

First, think about how you tell backstory. Don’t bury your reader in it. I’ll have to look at my manuscript, once all the editing is complete, for how I have handled the history of the characters. I may have to re-order chapters to avoid too much in one night’s reading. My nightmare would be having to re-write the story to fix the problem.

Second, give your editor the entire manuscript–or at least a big chunk of it–at once, not a chapter at a time as I did. It handicaps the person who is trying to help you improve your work. My editor reads so much other material between my chapters that he can’t recall the flow or detail of my work. He’s limited to remarking on each chapter as a stand-alone piece.

I was planning to finish another chapter this weekend to hand over to the editor. I will hold it now until I have several chapters ready to be edited. At least that way he will be better able to critique the flow of my story, whether I have loose ends dangling, and the like. The upside to handing over the whole thing is I get a better editorial commentary on the novel. The downside is there may be many more editorial notes about corrections I need to make.

But, wait, that’s an upside, too.