Tag Archives: writing

Lauren Carr Seminar: Writers in Bathrobes


Want to learn the ropes of the writing/ publishing business? Want to work from home? Then you need this! Top Selling Mystery author Lauren Carr is going to be teaching all this and more in historic Harpers Ferry, outside Washington, D. C., in March 2015.

Here’s an excerpt from her e-mail!

BIG NEWS: I have just scheduled to conduct a SIX HOUR workshop in
March at the church called: AUTHORS IN BATHROBE. I am still working out  the details, but this workshop will break book promotion down into an understandable format for writers. Even if your book is not out yet,
then this will include things that you can do now to get the ball
rolling for sales when you book is released.

Focused completely on using the internet to promote your book and your
writing career, the workshop will include no less than an hour on
Twitter and an hour Facebook. (My own sales drop 10-20 percent on days I don’t tweet!) It will discuss the importance of a website and how to set
one up without breaking your budget. What is a blog? What goes into a
blog post. Virtual book tours. It will even cover the basics of an
author bio and what makes a good profile pic.

It will be 9 to 4 on Saturday, March 21. Lunch will be included. Price
is still being determined.

You are the first to hear this, so spread the word.

Writing Seminars in the Greater Washington, DC and Baltimore Areas


Writing & Publishing Events: Sign Up Now!
Fall 2013
Lauren Carr Schedule of Events
Courses, Workshops & Conferences to Fit Any Schedule

Dear Fay,

This is the greatest time to be a writer.
The good news: Technology has turned the publishing industry on it’s ear so that any  writer who is serious about being a published author can get their book  out into the hands of readers.
The bad news: Poorly written books that are sloppily published are leaving uninformed authors confused and down heartened where their books don’t sell, or worse, reviewers rip their beloved books apart.
There is more to writing a book and publishing it than typing it up and uploading files to an online publisher. It takes more to becoming a best-selling author than getting a feature in the local newspaper and setting up a table at the local bookstore.
Unfortunately, most writers don’t know how or where to go to get the information they need to become successful authors.
Now is your chance to be informed. Over the course of the next several weeks and through the fall, I will be appearing at numerous workshops and conferences on writing, publishing, or both. Some will be during the day, others in the evening, and even a few weekends. Cost vary as well.
So, if you are a budding writer, or even a published author who wants to learn how to succeed in today’s literary arena, check out this schedule and sign up today!
Sincerely,
Lauren Carr Best-Selling Author and Publisher

Creatures, Crime & Creativity Conference: Friday-Sunday, 9/13-15
Meet Acorn Books Authors Lauren Carr, Cindy McDonald, and Fay Moore at the C3!
The conference is scheduled for September 13, 14 and 15 of 2013 in the  Hunt Valley Inn in Baltimore. It will present three days of panels and  workshops of interest to both writers and fans.

Everyone who attends the C3 conference will receive an anthology, published by Acorn Books, which is exclusive only for conference attendees. This anthology is filled with stories written by attending authors, including Lauren Carr and Fay Moore, whose debut novel will be released in September. There is still time to register to meet authors of mystery, suspense, thrillers, paranormal, and other creatures!

From Writers to Published Authors Conference: Saturday, 10/5. 8:45 am-5:00 pm
First Annual Conference in Charles Town, WV

The From Writers to Published Authors Conference offers writers the opportunity to learn the ins and outs of writing and publishing directly from those who have gone before them. At this first annual event, authors and publishers will gather together to spend the day helping new writers to reach their goal of not only publishing their books, but doing it right.
Click here to view the list of authors, illustrators, and publishers attending.
Click here to view the panels scheduled for the day.
Visit Acorn Book Services Website for more information. Click Here to download brochure.
Date: Saturday, October 5, 2013
8:45 am-5:00 pm
Place: Oakland Church
  70 Oakland Terrace
  Charles Town, WV
Cost: $60 (early registration) $75 After Sep 23

10-Plus Most Common Mistakes Made By New Writers: 4-Week Course Starting Tues, 9/3
10 Plus Most Common MistakesJefferson County Adult & Community Education   Does your book suffer from Good-Parent Syndrome? Do you know what your crutch word is?  Lauren Carr will discuss all of these topics, and other writing errors that can negatively impact your book’s success, during her four-hour presentation entitled: 10+ Most Common Mistakes Made By New Writers (Grammar and Punctuation Are Not On the List).

Dates: Tuesdays, 9/3-9/24. 6:00-8:00 pm
Place: Charles Town Middle School
Cost: $35
Contact Judy Slusher, Facilitator, Adult & Community Education, Jefferson County Schools at 304-728-9237 to register or for more information.

Speaking Engagement: National Novel Writing Month: Mon., 9/16: 6:30 pm
National Novel Writing MonthWriting a Novel: You Can Do ItIn preparation for the 2013 National Novel Writing Month (November), Havre de Grace Library, in Havre de Grace, Maryland is offering 4 sessions to help writers get started. Lauren Carr is scheduled to appear at this first session to help new writers in this introduction, which will  offer tips, planning, and much more. Sign up for a single session or all four sessions scheduled. Visit the Havre de Grace Library website for more information.

Date: Monday, 9/16. 6:30 pm
Place: Havre de Grace Library, 120 N Union Ave  Havre de Grace, MD 21078. (410) 939-6700
Tuition $50 for Four Weeks. Pre-registration required.

Authors in Bathrobes:  How to be a Successful Author Without Getting Dressed: 4-Week Course Starting  Thurs, 10/10
Authors in Bathrobes Berkeley County Arts Council: Berkeley Art WorksEvery writer dreams of big book events in book stores with lines going out the door. Unfortunately, for 95% percent of published authors, this is not a reality. It is not uncommon to have a book event and have no one show up. Today’s technology has made it possible for authors to gain a following, and make money with very little overhead and without getting dressed.In this course, author and publisher Lauren Carr will discuss how writers can now walk through the doors that have opened to not only write and publish their own books, but how to do it successfully-without getting dressed!

Dates: Thursdays, 10/10-10/31. 9:30-11:30 am
Place: Berkeley Art Works, 116 North Queen Street, Martinsburg, WV – 304-620-7277 web: artworks.berkeleyartswv.org email berkeleyartswv@gmail.com
Tuition $50 for Four Weeks. Pre-registration required.

Authors in Bathrobes:  How to be a Successful Author Without Getting Dressed Writing  & Publishing Workshop: Sat. 11/2: 9:30 am-4:30 pm: FREE
Authors in Bathrobes Washington County Free Library: Central Location
9:30 am-12:30 am: Book Writing: 10+ Most Common Mistakes Made By New Writers

 Does your book suffer from Good-Parent Syndrome? Do you know what your crutch word is?  Lauren will discuss all of these topics, and other writing errors that can negatively impact your book’s success, during her four-hour presentation entitled: 10+ Most Common Mistakes Made By New Writers (Grammar and Punctuation Are Not On the List).

1:30 pm-4:30 am: Book Publishing: Authors in Bathrobes: How to Be a Successful Author Without Getting Dressed

Every writer dreams of big book events in book stores with lines going out the door. Unfortunately, for 95% percent of published authors, this is not a reality. It is not uncommon to have a book event and have no one show up. Today’s technology has made it possible for authors to gain a following, and make money with very little overhead and without getting dressed.

In these two presentations, author and publisher Lauren Carr will discuss how writers can now walk through the doors that have opened to not only write and publish their own books, but how to do it successfully-without getting dressed!

Date: Saturday, 11/2. 9:30 am-4:30 pm
Place: Washington County Free Library, Central Location 100 South Potomac Street, Hagerstown  MD 21740 Phone: 301.739.3250 For more information about this and other Washington County Free Library events, Phone: 301.739.3250 or email Pat Wishard at pwishard@washcolibrary.org. Visit http://www.washcolibrary.org/index.asp for more information.

Acorn Book Services                 415 Moonridge Lane
Harpers Ferry, West Virginia  25425
If you’re a budding writer, or even published author who wants to learn more about being successful in today’s publishing arena, then come out out. Take note of the deadlines and which courses you need to register for.
I look forward to seeing your there!
FOR MORE INFORMATION ON ANY OF THESE EVENTS, CONTACT acorn.book.services@comcast.net

You’re Invited to My First Book Signing Event


BOOK SIGNING INVITATION

 

Even if you don’t plan to attend the Creatures, Crimes & Creativity conference, you can still meet me and all the other attending authors and get our books.

 

September 13, and again September 14, from 5pm to 6pm we will participate in a mammoth book signing at

 

The Hunt Valley Inn

245 Shawan Rd

Cockeysville, MD

 

With me will be all the writers who will be speaking at panels during the conference.  That means more than 30 authors in one place, showing off our work and signing our books that you pick up at the conference bookstore, run by one of MD’s finest bookstores, Mystery Loves Company.

 

This is your chance to get autographed copies of my books, plus books by international bestselling author Jeffery Deaver and other mystery novelists; NY Times Bestselling author John Gilstrap and other thriller writers, NY Times bestselling author Christopher Golden and other science fiction, fantasy and horror novelists; and bestselling author Trice Hickman and more writers of suspense.

 

Check out the impressive list of writers who will be there for you to meet at

 

http://creaturescrimesandcreativity.com/?page_id=10

 

And mark your calendars for this once in a lifetime opportunity! I look forward to meeting you!

 

AFTERTHOUGHT–What am I going to wear? Do I need a professional new hair-do? Naw. I’ll be me and you’ll be you, and we’ll have a great time!

First, an Apology, Then an Announcement


Hi, sweet people. I owe you an apology. During August, I have been swamped and inattentive to you, to your comments, and more. Sadly, I remain under water with obligations and medical care until sometime in October. I want you to understand why I am behaving badly and not getting back to you when you write. Very soon, I promise to make it up to you and get back on top of things again.

I want to announce that I have started a Facebook page. Oh, heart, don’t fail me now. I swore I would never go on Facebook or any other similar strictly social network. Well, it seems that Facebook has evolved into more and so have I.

Since I am only, I don’t know, a millennium behind everyone else on the planet and haven’t a clue what I am doing, please be patient with me as the Facebook page evolves.

Finally I want to remind everyone who is interested in the FROM WRITERS TO PUBLISHED AUTHORS CONFERENCE on October 5, to get your registration in. The price of $60 for 6 sessions will rise to $75 in September. Why pay a penalty for procrastination? Be proactive and save $$$. Remember, lunch is included in the admission.

Click here to register:

Email acornbookservices@gmail.com or phone 304-285-8205 for more information.

You may read about the conference at http://acornbookservices.com/Writer_to_Published_Author.html

or see the brochure about the conference below.

WRITERS TO PUBLISHED AUTHORS BROCHURE USE THIS

Guest Post from Author Jim Denney


It is always a pleasure when an experienced author shares thoughts here to help the rest of us. Today author Jim Denney guides us over the bumpy path called a writing career. This is Part One of two.

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Conquering the 8 Great Fears of the Writer’s Life: Part I

Jim Denney

You know about the literary achievements of the Brontë sisters, Charlotte (Jane Eyre), Emily (Wuthering Heights), and Anne (The Tenant of Wildfell Hall). These three sisters produced many enduring classics of literature.

But there was another Brontë whose name you’ve probably never heard: Branwell Brontë, the brother of the three Brontë sisters. The four Brontë siblings were close in their early years. As children, they engaged in fantasy role-playing games and collaborated on complex stories about an imaginary realm called Angria.

As an adult, Branwell often talked about the grand novel he intended to write, based on the world of Angria that he and his sisters had created. But while his sisters produced their masterpieces, Branwell only dabbled at writing. When his sisters urged him to show fragments of his novel to a publisher, he refused, saying he couldn’t bear having an editor toss his writings into the fireplace.

In the fall of 1848, Branwell Brontë fell gravely ill with tuberculosis, aggravated by delirium tremens from alcoholism. He died on September 24 at age thirty-one. After Branwell’s funeral, Charlotte Brontë wrote of her brother, “I do not weep from a sense of bereavement … but for the wreck of talent, the ruin of promise, the untimely dreary extinction of what might have been a burning and shining light.”

Branwell Brontë died knowing he had wasted his life and his talent. He never wrote his grand novel. Why? Because he was afraid of rejection, afraid of failure, afraid of committing his literary vision to paper and submitting it to a publisher. His fears were the same fears most writers face to this day.

Writers who conquer their fears go on to enjoy successful careers. Writers who fail to master their fears are doomed to end their lives in Branwellesque obscurity. Don’t waste your life and your talent. Don’t be paralyzed by fear. Instead, learn about the eight most common fears writers face—and how to overcome them:

Fear No. 1. “I’m afraid I have no talent.”

Many writers fear making a terrifying discovery: “I don’t have what it takes to be a published author.” Another name for this all-too-common fear is self-doubt.

Self-doubt afflicts writers on an epidemic scale. It causes more suffering among writers than writer’s block, eyestrain, and carpal tunnel syndrome combined. Self-doubt is the fear that we might not be as talented and creative as we thought. It’s the nagging voice in your head that says, “Why do you waste so many hours alone at this keyboard? You can’t do this. No one will ever read what you write.”

I know you’ve heard those voices because every writer has heard those voices—even your literary heroes and role models.

Anne Sexton won the 1967 Pulitzer Prize for poetry for her deeply personal poems about relationships and depression. Yet her fears nearly kept her from becoming a poet. She had an opportunity to attend a poetry workshop conducted by the renowned John Holmes—but the thought of exposing her poems to criticism terrified her. Afraid to register for the workshop, she asked a friend to register for her and to go with her to the first session. Within a dozen years of attending that workshop, Sexton was one of the most acclaimed poets in the world. But before she could earn these honors, she had to conquer her fear and self-doubt.

By avoiding the risk of writing and being judged, you actually risk everything. As Erica Jong put it in How to Save Your Own Life, “The risk is your life. Wasting it, I mean. It’s a pretty big risk. . . . And the trouble is, if you don’t risk anything, you risk even more. Life doesn’t leave that many choices. It’s really very harsh.”

How do you conquer the fear that you’re not good enough, the fear of being judged? You simply do the work. You write. Even if you don’t believe in yourself, even if you are fearful, even if you think your writing is so wretched that even your own mother would trash it, write.

Novelist Ayn Rand urged writers to adopt the mindset of relentless professionalism, regardless of self-doubts. She said, “You can be professional before you publish anything—if you approach writing as a job and apply to writing the same standards and methods that people regularly apply to other professions.” She dealt with her own self-doubt by pretending she worked for Hank Rearden—the ruthless industrialist in her novel Atlas Shrugged. Rearden, she said, “would not tolerate it if I told him, ‘I can’t work today because I have self-doubt’ or ‘I have a self-esteem crisis.’ Yet that is what most people do, in effect, when it comes to writing.”

Another accomplished writer who has suffered from self-doubt is Stephen King. In On Writing, he observes, “Writing fiction, especially a long work of fiction, can be a difficult, lonely job. It’s like crossing the Atlantic Ocean in a bathtub. There is plenty of opportunity for self-doubt.”

His solution: Write quickly. King explains, “With the door shut, downloading what’s in my head directly to the page, I write as fast as I can and still remain comfortable. . . . If I write rapidly, putting down my story exactly as it comes into my mind . . . I find that I can keep up with my original enthusiasm and at the same time outrun the self-doubt that’s always waiting to settle in.”

To slay self-doubt, write fast enough to stay ahead of your doubts.

Fear No. 2. “The blank page scares me—I’m afraid to begin.”

We all have authors we idolize. Because they write so brilliantly, we assume they are confident, even fearless. But our literary role models struggle with the very same fears we do, including the fear of the blank page. John Steinbeck wrote in his journal, “I suffer as always from the fear of putting down the first line.”

Before Colombian novelist Gabriel García Márquez could sell 30 million copies of One Hundred Years of Solitude and win the Nobel Prize for literature, he had to work up the courage to write the first line. “All my life,” he said, “I’ve been frightened at the moment I sit down to write.”

Margaret Atwood, the celebrated author of The Handmaid’s Tale, has won many literary awards, including the prestigious Booker Prize. Her greatest fear as an author: “Blank pages inspire me with terror.”

A few years ago, I taught a writer’s workshop. After one session, a young woman came to me and said, “I can’t get started. I know what I want to write about, and I know my characters—it all seems so perfect in my head. But when I try to write the perfect opening line, nothing comes to me—nothing that feels good enough. Without a brilliant first sentence, I can’t write the rest of the story.” What’s the solution to blank-page-ophobia?

First, understand that this fear comes from an inordinate and unhealthy perfectionism. You’re listening to your inner critic. Perhaps you’re even listening to the voice of some writing teacher in your past, someone who told you it’s absolutely crucial that you rivet your reader’s attention with a knockout first sentence.

Well, yes, your first sentence is important—but it doesn’t have to be the first thing you write. Why not save your first sentence for last? Write your entire first draft before you even think about what your first sentence ought to be. Once the novel is written, a brilliant first sentence may just come to you.

Second, get the words and story down any way you can. Bestselling novelist Jodi Picoult said, “You can always edit a bad page. You can’t edit a blank page.” And Dorothea Brande advised in her classic book Becoming a Writer, “Simply start working. If a good first sentence does not come, leave a space for it and write it in later. Write as rapidly as possible.”

Third, in first draft, give yourself permission to write badly. Don’t be so hard on yourself. Don’t expect first-draft perfection. Have fun, play, and finger-paint with words. It may be messy, but so what? You’ll clean everything up later in rewrite. I’m sure you’ll even come up with an inspired, riveting opening line.

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Fear No. 3. “I’m afraid I can’t complete my novel.”

Writers often build up a mental image of the novel they want to write—an image that is so grand and brilliant and complex that it becomes intimidating and self-defeating. We say to ourselves, “The novel I picture in my mind is so rich in theme, so vast in scope, that I don’t feel capable of writing it. I’d better wait until I acquire the skills to do it justice.”

The writer who has never written a novel before may lack the confidence that he or she can go the distance: “I don’t know how to begin. I’m not sure I can sustain the middle. I doubt I can write a worthy ending. I’m defeated before I begin.”

These are the same fears Ray Bradbury faced in January 1953 when he signed a contract to expand his novella “The Fireman” to novel length, 50,000 words. A short story writer, Bradbury had never written a novel before. The deadline was two months away, in mid-March. Bradbury was so intimidated by the scope of the project that when the deadline passed, he hadn’t written a single word. The publisher extended the deadline to April 15—and Bradbury missed that deadline as well.

The publisher gave Bradbury an extension to June 15—the author’s last chance. Paralyzed by fear all through May, a desperate Ray Bradbury finally went down into the basement of the UCLA library in early June. There, the university kept rows of coin-operated typewriters. Every half-hour, Bradbury fed a dime into the typewriter’s meter. Over a nine-day period, Bradbury wrote 25,000 words which he added to the 25,000 words of the original novella. Bradbury’s first novel, Fahrenheit 451, was born—and he met his third and final deadline. But first he had to overcome the fear that he wouldn’t be able to finish his book.

When the inner critic say, “You can’t do this,” tell your inner critic, “Maybe I will and maybe I won’t, but if this novel defeats me, it won’t be because I didn’t try. Now shut up. I’m working.”

When a project intimidates you because of its size and complexity, break it down into bite-size pieces. Divide it into scenes or chapters or daily word-count goals. Focus on today’s tasks today, then maintain that same focus day after day, and you’ll ultimately get your novel written.

I recommend two excellent tools for breaking down big long-term projects into a series of short-term objectives: (1) James Scott Bell’s excellent book Plot & Structure and (2) Randy Ingermanson’s “Snowflake” method at AdvancedFictionWriting.com.

Ernest Hemingway once told an interviewer, “Once you are into the novel it is cowardly to worry about whether you can go on the next day. . . . You have to go on. So there is no sense to worry. You have to learn that to write a novel.”

Fear No. 4. “I’m afraid of the risks of the writer’s life.”

Writing is an inherently risky proposition. When you write, you take personal risks, artistic risks, and commercial risks. It’s almost impossible to achieve distinction as an author if you are risk-averse. As Kurt Vonnegut once observed, “Talent is extremely common. What is rare is the willingness to endure the life of a writer.”

Playwright and novelist A. R. Gurney (The Cocktail Hour and Sweet Sue) recalls the time when he taught literature at MIT and wrote plays on the side. A novelist friend told him, “You gotta start calling yourself a writer, you gotta start thinking of yourself as a writer. You’re never gonna get anywhere if you don’t take yourself seriously.”

Gurney reflects, “I found it very hard . . . to call myself a writer. I called myself a teacher. . . . It was very hard for me to accept the public mantle of being a playwright.” Once Gurney was able to confidently call himself a writer and embrace the risky life of a writer, his self-image was transformed—and his writing career shifted into high gear.

In a 2010 article in The Los Angeles Times, novelist Dani Shapiro described the three most frightening risks she faced in her twenty years of writing: “The writer’s apprenticeship—or perhaps, the writer’s lot—is this miserable trifecta: uncertainty, rejection, disappointment. . . . Every single piece of writing I have ever completed—whether a novel, a memoir, an essay, short story, or review—has begun as a wrestling match between hopelessness and something else. . . . Call it stubbornness, stamina, a take-no-prisoners determination, but a writer at work reminds me of nothing so much as a terrier with a bone.”

You have to be that terrier. You have to chomp down on that bone and refuse to let go. To be a writer is to battle fear and doubt, and to risk uncertainty, rejection, and disappointment.

If you would achieve your dreams, you must risk, you must endure, and you must never give up. Dare to believe that your purpose in life is to write—then dare to write that first sentence. Persevere, keep faith with your dreams, and dare to complete what you started. Stop endlessly revising your manuscript—declare it finished and share it with your critique group. Then fearlessly subject your work to the brutal analysis of agents and editors—and the reading public.

Above all, dare to say to yourself and others, “I am a writer.”

In Part II, we’ll look at the four most surprising and paradoxical fears of the writer’s life.

_______________________________

Jim Denney is the author of Writing in Overdrive: Write Faster, Write Freely, Write Brilliantly. He has written more than 100 books, including the Timebenders science fantasy adventure series for young readers—Battle Before Time, Doorway to Doom, Invasion of the Time Troopers, and Lost in Cydonia. He is also the co-writer with Pat Williams (co-founder of the Orlando Magic) of Leadership Excellence and The Difference You Make. A veteran of both traditional and indie publishing, Jim is a member of Science Fiction and Fantasy Writers of America. Follow Jim on Twitter at @WriterJimDenney, and follow his blog at http://unearthlyfiction.wordpress.com/.

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Music To My Ears (Eyes)


A writer begs to be read and appreciated for his craft, his art. Today I was lifted from a groveling place on the ground to Cloud Nine by author Shelton Keys Dunning.

A while ago, Troy P invited me to write the ending to a short story called “The Reunion.” Three writers preceded me in contributing to the story line. The author that started the tale was Shelton Keys Dunning.

To make a long story short, in the comments on my post “Writing Changes,” Dunning wrote words that made me giddy. I have to share them here:

I saw your potential in storycrafting when you finished my The Reunion on such a perfect endnote. I’ve been a fan ever since. I’m truly looking forward to purchasing everything you do!

If you are a writer, you know the weightiness and import of those words to my soul. It means every agonizing hour spent trying to get it right is worth it.

Shelton Keys Dunning, I pray I never let you down. And know this, if I screw up once (or twice), I will drive myself to fix it the next time around. For you! For readers like you who make the writer’s agony all worth while.

I love you. Thank you for lifting me up!

And, Troy, thank you for inviting me to write in a different venue, allowing me to reach out to a broader readership than this blog affords me. I love you, too.

I look forward to the day I can pay it forward and help out another writer. Helping each other to grow and expand is what it is all about.

Needing Comfort Food


The words were very slow coming today. Yesterday I hammered out about 1,600 words in fairly short order. Today, the production was painfully slow. After long hours at the keyboard, I managed 850 words. I have sore shoulders.

My solution? Comfort food. I found an easy Key Lime Pie recipe. I happened to have a bag of key limes and a graham cracker crust. The rest I improvised.  It’s in the oven now.

Oh–there’s the buzzer! Check Twitter, you followers. I tweeted the recipe.