The editing is going at a snail’s pace, but it is going! Three chapters down, and I am moving on to the fourth.
The writing lesson for today is twofold: commit the time to writing and just keep slogging.
The editing is going at a snail’s pace, but it is going! Three chapters down, and I am moving on to the fourth.
The writing lesson for today is twofold: commit the time to writing and just keep slogging.
Today the breakthrough came! I finished the first chapter of the re-write on Dead with Envy. This is huge. The dreaded writer’s block is gone! Tomorrow, I’ll finish chapter two.
In the words of author Shelton Keys Dunning, “Writing is a solitary action.” Thus, the only advice I get is me talking to myself. Not good. That is one of the reasons I started this blog–to reach out to other authors and share feedback.
I got feedback in spades to my previous post “Fear of Finishing.” The advice is good for every writer facing self-doubt. So, at the risk of pink cheeks on my part, I share the tips and counsel that seasoned author and editor Shelton Keys Dunning gave me.
Before you read Shelton’s words, know this. Writers are like actors–we die without an audience. Writers are also human. We wither without someone to stroke us and fertilize our creative machine once in a while. Hence, the necessity of a support group.
The support group can exist through friends cultivated on-line or in person through a face-to-face writers group or in fellow students in a classroom setting. However or wherever, a support group of fellow penmen is invaluable to an author in turmoil.
Now to the feedback:
Fear is as normal as it is debilitating. I’m concerned that my edit contributed to your self-doubt. Honestly though, I will champion your talent through to the hellfires and back again. This next step is critical yes, heart-wrenching and laced with every type of harbinger of doom possible. It’s how you channel that fear that will make you or break you. I want you to read the following and take it to heart.
1. You have the talent. You have more than most. I would not lie to you about this.
2. Dead with Envy is a story only you can tell. And it is a story worthy of bookshelves. Again, I’m not lying.
3. Editing is the most difficult thing to do as a writer. You get through this, you can do anything. Period.
4. Writing is a very solitary action, it isn’t always clear that you have a support group. But you do have one. And I am your biggest fan. You can lean on me.
5. My mother wants to buy your book. I’m not lying. So you have already touched readers and you’re not even finished yet.
6. Set-backs aren’t permanent. Neither are road blocks. What can be permanent, though, is the wall you build around your heart to shield you from the unknown. Surround yourself instead with supportive voices. AND
BELIEVE THEM WHEN THEY SAY THAT YOU ARE BEAUTIFUL AND TALENTED.
7. Once your story is published, do not worry about your audience. The phrase: You build it, they will come, applies here. It worked for baseball. It can work for you. Will there be people that don’t like it?
Sure. Just like not everyone likes fried pickles. That’s okay. There will be others who will LOVE it.
8. Fear of the unknown is normal. I’ve been there. I am there. You are not alone.
9. My book: The Trouble with Henry? That took me two years to publish it. Two years passed since writing “Finis” before I felt ready to hit the publish button. I’m still finding flaws, but I am my own worst critic. Just like you are your own worst critic. You don’t have to take two years for Dead With Envy, but you can if you want to. You are in control.
10. Have I told you not to worry yet, that you are talented and beautiful? Have I said that Dead with Envy deserves to be on bookshelves? Just checking.
It’s hard to find your heart when you are mired in self-doubt. Every writer faces this. Every one. Even Stephen King. And if he claims he doesn’t, he’s lying. Think back to the first time you had to send an email to someone, anyone. I don’t know about you, but the first email I
ever sent terrified me witless. What if I did it wrong? What if I didn’t make any sense? What if I got lost in the world like snail mail through the post office and if the email did arrive, it arrived broken and torn and unreadable? There are still days when I face job hunts that I stare at the emails and wonder if I’ve forgotten the entire English language. Or what about blog posts? The first blog post you ever did, how did you feel then? How do you feel now? I promise publishing a book might feel bigger than a blog post, but it’s only ’cause it took more hours to do.
It might help to write all your questions down on paper, and answer them, on paper. If you ask yourself a question and you don’t know the answer, write “I need to research this” for the answer. That way, you’ve acknowledged that you don’t know, but you can find the answer. Breaking all your fears down into little pieces and tackling one at a time, helps.
And now that I’ve taken up your blog, I will leave you with this: I am here. I’m not going anywhere, heaven forbid, and you couldn’t be safer than among your peers. I promise this too shall pass.
Several caring readers have offered support and encouragement. By reading their comments, I had a realization–I think I may be struggling with a fear of finishing the book.
That fear can come from a number of concerns:
Will readers like my story?
Can I handle the criticism?
What will I do next?
In fairness to myself, there are valid circumstances that prevent me from editing. Those are barriers to work over, around, through. Time will fix the problems.
It’s the absence of “heart” for the work that I worry about. And I think the list above addresses the root of the “heart” problem.
Are you, too, finding it hard to finish a manuscript? Could you be sharing some of my concerns (fears)?
At Fay Moore: I Want To Be a Writer, we are fortunate to have published authors share insight into how to move forward as writers. Today Jim Denney, author of Writing in Overdrive, has been kind enough to offer some advice in his second appearance here on the blog.
Write Every Day
By Jim Denney, author of Writing in Overdrive
“The only thing you need to know about writing is that you must do it. The rest is just showing up.”
I love to write. I begin writing every day, almost as soon as I tumble out of bed. Writing is not merely my daily habit, it’s something I can’t wait to begin.
But I haven’t always been this way. When I was in my twenties, writing was a chore. I wanted to write, but I resisted and procrastinated and made excuses for not writing. It wasn’t until I turned thirty that I began building a daily habit of writing. Today, I can’t imagine going all day without writing. It’s actually more difficult for me not to write than to write.
If you struggle with resistance and procrastination, if you want to write but find it hard to drag yourself to the keyboard, I know how you feel. I’ve been there. And I want you to know you can learn to love writing and make it your daily habit. But before writing becomes your love, it has to become your discipline.
Begin by viewing writing as your profession—even if you have a non-writing day job. Stop calling yourself an “aspiring writer” or a “wannabe writer” or a “weekend writer.” Tell yourself, “I’m a writer,” period. Once you accept the fact that you are a professional, you will begin to treat writing as a profession, not a hobby.
Now that writing is your profession, recognize that you are your own employer, your own boss. And part of your job as your own boss is to get yourself to work every day. No one else will do it for you. You have to set regular, working hours for yourself, and you have to show up for work on time every day. As the boss, you must be ruthless with yourself about keeping your writing time inviolate.
As John Steinbeck wrote in his journal while writing The Grapes of Wrath, “In writing, habit seems to be a much stronger force than either willpower or inspiration. Consequently there must be some little quality of fierceness until the habit pattern of a certain number of words is established. … I must get my words down every day whether they are any good or not.”
When building a habit, it helps to write at the same time and place every day. Your unconscious mind learns to associate that time, that place, with the creative process. Whether you write a desktop computer in your office, on a laptop computer in your secluded garden, or in longhand in a notebook at a café, build a daily habit.
You may say, “I’m so busy with my job and my kids that I only have fifteen minutes a day to write. What can anyone accomplish in fifteen minutes a day?” Well, if you write every day without fail for fifteen minutes a day, you can accomplish quite a lot.
Fifteen minutes a day adds up to 91.25 hours per year, or the equivalent of more than two forty-hour work weeks. That’s a lot of writing time. And by writing every day, even for just a quarter hour, you will boost your creativity enormously. You’ll remain focused on your novel, your story, your characters, and your goals every day. You’ll find you are thinking about your story when you wake up, when you’re in the shower, when you drive to work, when you’re at lunch, when you drive home, and before you go to sleep. That added focus on your story magnifies your productivity and creativity in your fifteen-minute sessions. You may find yourself feeling so inspired that will keep writing for thirty, sixty, ninety minutes or more. And you’ll build some excellent daily writing habits in the process.
Most important, you’ll build a deep love for writing that will carry you through the rest of your life. Build a daily habit of writing—and watch writing become the dream job you love.
Jim Denney has written more than 100 books, including the Timebenders science fantasy adventure series for young readers—Battle Before Time, Doorway to Doom, Invasion of the Time Troopers, and Lost in Cydonia. His latest book for writers is Writing in Overdrive: Writer Faster, Write Freely, Write Brilliantly. A veteran of both traditional and indie publishing, Jim is a member of Science Fiction and Fantasy Writers of America (SFWA). Follow Jim on Twitter at @WriterJimDenney. He blogs at http://unearthlyfiction.wordpress.com/.
Why attend a writers’ conference?
It is that last item that I want to emphasize. I met world class authors and could ask them questions directly about the field, about their experiences, both good and bad, and about what advice they could offer to me as a new author.
Moreover, I made professional contacts, leading to my being interviewed on video and on audio recording for a podcast, allowing me to promote my book to a new audience.
Finally, I made new friends who sent me the lovely messages below:
It was great meeting you at the C3 Conference. Thanks for doing the podcast. I’ll let you know when it’s up and send you the link.
Larry Matthews Author of The Dave Haggard Thrillers http://www.larrymatthews.net
Was soooo thrilled to meet you in person Fay–you are such a lovely person! XXXOOO
@MooreFay, you are such a delight, and I can’t wait to read your novel. Thanks for coming and enjoy the kindle.
Author Sandra Webster @BSwanginWebster
(Oh, yes! And I won a Kindle Fire at the Crime, Creatures & Creativity conference! So surprising things can happen, too!)
Anyway, for these reasons and more, I urge you to sign up for the October 5th From Writer to Published Author conference in Harpers Ferry, WV (a suburb of Washington, DC). The closing day to register is just a few days away—September 22. The link to register is below.
Date: Saturday, October 5, 2013
8:45 am-5:00 pm
Place: Oakland Church
70 Oakland Terrace Charles Town, WV
Cost: $60 (lunch included)
Panel Discussions on Writing, Publishing, Illustrating, Writing Children’s BooksSponsored by Acorn Book Services
The From Writers to Published Authors Conference offers writers the opportunity to learn the ins and outs of writing and publishing directly from those who have gone before them. At this first annual event, authors and publishers will gather together to spend the day helping new writers to reach their goal of not only publishing their books, but doing it right.
Attendees have a choice of panel discussions to attend based on where they are in their journey toward authorship. The forty-five minute panel discussions will cover writing tips (getting your books done/research), publishing (social media/cover design).
Austin Camacho (publisher and mystery/thriller author) Beth Rowland (publisher) Tim Rowland (columnist/author) Cindy McDonald (author) Ed Steers (historian and author) Thomas L. Trumble (author/playwright) B.Swangin Webster (author) Michael T. (children’s author) Joe Santoro (illustrator) Malcolm Ater (young adult/middle school author) Penny Clover Petersen (author of children’s and adult books) H.L. Grandin (author) Mary-Ellen Low (author) Victor Nieves (author) Fay Moore (author) Daniel Claggett (illustrator) Debbie Brenneman (author) George Johnson (author) S.J. Brown (author/photographer) Todd Aune (cover designer) D.B. Corey (author)
This conference also includes two Super Panel discussions which are foremost on most writers and published authors’ minds: The Future of Books and Using Social Media for Book Promotion.
Three publishers are schedule to appear: Lauren Carr of Acorn Book Services, Austin Camacho of Intrigue Publishing, and Beth Rowland of Black Walnut Corner Book Production.
The fee for attendees is $60. Lunch is included. We encourage attendees to not be shy. We encourage writers to feel free to talk to authors and publishers about their projects and ask any questions they may have about completing their books and advice on publishing.
But Wait! There’s More! Intrigue Publishing will have a special presentation during lunch:
Working With a Small Press – A Reality Check.
Writers won’t want to miss this interactive presentation that will answer many questions about the differences between a big press, and also how a small press differs from self-publishing.
*Schedule Panel Topics *Topics may change due to author’s schedules before the conference
Get ’er Done: Committing to your book to complete it.
Let’s Get Personal: This panel is made up of authors who have successfully put pen to paper to tell their stories.
Research: Get it Right: Even in fiction, nothing can kill a book like having your facts wrong.
Laughing It Up: Writing humor.
Judging a Book By Its Cover: Cover Design.
Picture My Book: Working with Illustrators.
Who’s Going to Read It: As much as we like to think everyone will want to read our book, that is just not the case. This panel will discuss determining your readers so that you may focus your book and your marketing toward drawing them in.
How to Sell It: Different from the Social Media Super Panel, this panel discussion will focus on basic marketing techniques that every author should know.
Kiddie Lit I: Writing for Children. Writing for children is not as easy as it may appear. This panel will discuss the basics to know when it comes to writing a children’s book.
Kiddlie Lit II: Where’s the Line? Is your book appropriate for your age group? Does your middle school book have too much romance? Is it appropriate to have your grade-school-aged protagonist curse? This promises to be a hot discussion.
Space is limited for the From Writers to Published Authors Conference. So don’t delay. Sign up today!
When my daughter was in school, she was friends with a very creative circle of kids. I adopted her friends as my extra children. To this day, I get called “Mom” by some, and it warms my heart.
Today those kids are grown.
One of them sent me an article that offers some excellent writing advice. The author of the article, Bushra Rehman, is on the staff of Poets & Writers and recently published her first novel. I have pulled selected tidbits from her article to teach us more about the craft of autobiographical writing.
For example, when writing autobiographical pieces, Rehman says:
One of the drawbacks . . . is that the people in your head are not imaginary. They’re real. They’re the people you love the most and are most afraid of losing.
The consequence of telling someone’s story is something to consider when writing about real people. Don’t let it prevent you from telling your story, but consider what options may be available to protect the privacy and dignity of humans you know.
One way around the obstacle is to fictionalize your story. Change names, locations and the facts enough to allow the source of your inspiration to remain anonymous. Doing so not only protects the person from exposure, it also protects you from legal liability for disclosing that which may be deemed private or libelous by a court of law.
Rehman also talks about the therapeutic benefits of writing autobiographical material:
The truth is you don’t know the shape your work will take until it is written. Yes, you may feel a burning anger in the beginning, but when you write the story, you might be surprised by the gentle and compassionate portrayals you create. The very writing of the narrative will transform you and your memories.
Finally, being closely tied to the people behind your characters may color your portrayals of the dark elements of a story. Rehman has developed a technique to help her in that circumstance:
You never even have to publish. I trick myself every time by saying I won’t. It’s one way I’ve learned to be honest in my writing–by lying to myself.
I giggled as I read the article my daughter’s friend shared with me. She knows I am writing novels. Do you think she worries about appearing in a book as one of my characters? I will promise her here and now, she won’t. At least not in any form that even she would recognize.
Hi, sweet people. I owe you an apology. During August, I have been swamped and inattentive to you, to your comments, and more. Sadly, I remain under water with obligations and medical care until sometime in October. I want you to understand why I am behaving badly and not getting back to you when you write. Very soon, I promise to make it up to you and get back on top of things again.
I want to announce that I have started a Facebook page. Oh, heart, don’t fail me now. I swore I would never go on Facebook or any other similar strictly social network. Well, it seems that Facebook has evolved into more and so have I.
Since I am only, I don’t know, a millennium behind everyone else on the planet and haven’t a clue what I am doing, please be patient with me as the Facebook page evolves.
Finally I want to remind everyone who is interested in the FROM WRITERS TO PUBLISHED AUTHORS CONFERENCE on October 5, to get your registration in. The price of $60 for 6 sessions will rise to $75 in September. Why pay a penalty for procrastination? Be proactive and save $$$. Remember, lunch is included in the admission.
Click here to register:
Email email@example.com or phone 304-285-8205 for more information.
You may read about the conference at http://acornbookservices.com/Writer_to_Published_Author.html
or see the brochure about the conference below.
As a writer, I have struggled with self-doubt throughout writing my first novel. When I made the decision to create a book, I wrestled with selecting a story. My imagination had several threads that had been dreamed up over the years. I couldn’t settle on one because I doubted whether anyone would like the characters.
My friend Debbie decided she would push me a bit. She has always been an avid reader of murder mysteries, so she came to me with a cast of characters and insisted I write her story.
I want to thank Debbie for doing that. The psychology of writing someone else’s story erased the fear of starting. After all, this wasn’t my story or my characters. What was there to fear? My brain converted the assignment to the equivalent of classroom homework. The writing began.
By the end of the first chapter, all that was left of Debbie’s story were the main character names. My imagination kicked in. Debbie’s plot was replaced by one of my creation, and I was on my way to writing a book of my own.
Because I didn’t start the story with a preconceived plot, I would run into walls at times, not knowing where the story was going to go next. Sometimes it was days, while other times it was weeks or months between writing bursts. My characters were the ones writing the story, not me. I had to wait for them to tell me what was coming next.
Sometimes real life inspired a segment. A happening would get incorporated into the plot, which then led to the next tangent in the storyline. I was as enthralled as any reader in what was coming next because I didn’t know.
In the end, the story told itself and came together nicely. Looking back, I am amazed at how it got done.
It has been roughly six months since I finished the first draft. This week I am wrapping up work on this book. Why has it taken so long? The only truthful explanation is me. My fear. My self-doubt. I am scared to put it out there.
My friend, and prolific author, Lauren Carr has taught me that I am my own worst enemy. In the time between finishing the novel’s first draft to the time it goes to press, Lauren has published TWO novels. She is my inspiration and role model.
She is already broadcasting news about my next novel in order to get me moving. The pressure is on. My new characters are percolating and throwing story parts at me. This time I have a grand storyline in my head already. I know the beginning and the end. The middle is still being created.
At the moment, I am not fearful. I am excited. That will change. The first bad review will crank up the self-doubt inside me. But I have a few defenses against my fears this time around.
First, I know I am still on a learning curve. Like any first, my novel will have beginner errors in it. I know that, and I will learn from my mistakes.
Second, I have written a complete book already. So there is no question about whether or not I can. I’ve already done it.
Third, I have set a goal. By this time next year, book two will be done. I will have cut the time it takes me to tell a story in half. Then I will write book three in six months. That’s my plan. With an end target in sight, I have something to aim for. The finish line is concrete. That is a motivator.
I hope telling my experience has been helpful to you. Maybe you see yourself or maybe light has been shed on the source of your own block. My wish for you is that you get a strangle hold on the neck of your own fear. Choke it, so that you, too, can make a breakthrough in your writing.